Wednesday, November 28, 2012

A quest! A quest! My kingdom for a quest!

The November 25th episode of Once Upon A Time was exciting for many reasons, the least of which was not in watching Robert Carlyle bring yet another facet to the diamond in the rough that is Rumplegold. I was fascinated as he tried to be demure on his date with Belle at Granny’s Place in spite of the dirty looks and evil eyes Storybrookers shot his way. Thoroughly enjoying was the way he continued to protest his power as being greater than both Regina’s and Cora’s though he no longer had the bluster to back it up. But that’s not the subject of this blog. This blog is about The Quest Archetype and the skilful way the writers weave it into the plot of the story.

Just as a tragic hero has a set of parameters that, once satisfied, a character may be classified as such, so, too does a quest. The Quest Archetype (as defined by Joseph Campbell, American mythologist, writer and lecturer (Wiki)) may be defined as:

begin[ning] in the hero's ordinary world, when he or she receives a call to adventure from a herald. Many heroes initially refuse the call, until a mentor reassures them that they are capable. After this meeting with the mentor, they must enter the world of the quest. They meet allies and enemies along the way and are tested frequently. As they near the source of their quest, they usually face one final ordeal. Upon their success, they take the object of their quest, and make their way home. The way home is not always easy, but eventually they return to their ordinary world with their prize (PBS).

The OUAT quest begins in our world, an ordinary world that normally doesn’t have any magic. Emma Swan is the heroine of the story who is drawn to Storybrooke by her son who assures her she is the key to breaking the curse under which they all live. Emma resists, refusing to believe she is their saviour but eventually is convinced by Snow White/Mary Maragaret, who plays the role of Emma’s birth mother and mentor, who reassures her she is capable. She comes to believe this when she saves Henry from Regina’s sleeping potion and slaughters Maleficent in her dragon form to retrieve the potion that will break the curse. The true quest begins when both Snow and Emma wind up back in Fairytaleland—the world of the quest--and they are tasked with finding a way to get back home.

The secret to getting back to Storybrooke lies in an old compass and the ashes from the tree/wardrobe that originally transported Baby Emma to Storybrooke. Snow and Emma meet allies—Mulan and Aurora—and enemies—Cora and Hook—along the way and are tested frequently. One such test occurs when Hook takes Aurora’s heart and Cora uses it to convince the heroes that Hook wants to help them in their quest and that he may even have a little crush on Emma. Another is when Aurora is taken by Cora and Mulan takes the compass to get her back. Still another happens in the previous episode when Emma has to take the compass from the Giant residing at the top of the beanstalk. It is anyone’s guess what the final ordeal will be or when it will occur, but if the writers remain true to form, the heroes will emerge from the ordeal successful and find their way home to the ordinary world.

The only question remaining (and I can’t wait to see how it all pans out) is if Cora and Hook will follow.

Works Cited

PBS. In Search of Myths & Heroes. 28 Nov 2012.

Wiki. Joseph Cambell. Wikipedia: The Free Encyclopedia. 21 Nov 2012. 28 Nov 2012.

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